ONE of the most important collections of watercolour paintings in the world is heading our way.
More than 40 works from the exquisite holdings of Sir Hickman Beckett Bacon (1855-1945), an avid collector of English watercolours between 1895 and the First World War, will be on show at Abbot Hall Art Gallery, from January 12 until April 14.
Now owned by Sir Nicholas Bacon, the precious paintings will be loaned to the Kendal gallery for its next exhibition - Turner and his Contemporaries: The Hickman Bacon Watercolour Collection.
Abbot Hall chief executive Gordon Watson was thrilled at the prospect of the eminent display, which should have the eyes of the nation’s arts world focused on the important regional gallery.
In fact, a fitting time to stage such a grand show as Abbot Hall celebrates a half century since its opened its celebrated doors.
Gordon added: “Fifty years ago on September 28, 1962, Her Royal Highness Princess Margaret officially opened the gallery and since then Abbot Hall has established itself as one of the most significant and ambitious galleries in the north of England.”
Rarely aired in public, the collection will be shown alongside highlights from Abbot Hall’s own permanent collection of watercolours.
Sir Nicholas said that he was delighted to be able to lend the paintings to Abbot Hall.
He continued: “My great uncle Sir Hickman Bacon (Hicky) had unusual tastes for his time and thus the collection is very strong in the type of late, ethereal Turner watercolours that only became widely popular with the advent of abstract painting in the 1940s and 50s. Equally, John Sell Cotman, an artist who had only just emerged from total obscurity, was of particular interest.
“Hicky’s collection represents English watercolour painting at its greatest; like so many collectors he was not interested by the fashion of the day, but he was committed to collecting those objects which fulfilled his heartfelt love of beauty.”
Born in 1855 into a family of landed gentry, Sir Hickman was educated at Eton. He joined the army, later returning to his old-fashioned family mansion. He suffered from ill health early in his life, and remained a bachelor until he died in 1945. He also collected fabrics, wall hangings, ceramics and Japanese prints – a collection he gave to the Japanese Government.
Abbot Hall collections manager Nick Rogers said that an exhibition of watercolours from the ‘remarkable’ Hickman Bacon collection was a cause for celebration wherever it was held. He added: “That it is taking place in Kendal, Cumbria, is particularly appropriate, as this is an area that played a significant role in the development of watercolour as the medium of choice for the itinerant artist in the late 18th and early 19th Century.”
Tuesday 5th April 2011
‘VERY knowledgable’ staff at a popular Kendal attraction are celebrating after securing a top accreditation.
Kendal Museum has been accredited as a Quality Assured Visitor Attraction - an assessment run by Visit England and recognises customer service and visitor experience at attractions across the country.
A Visit England assessor praised the strong collections, recognising the effort that has gone into creating a well-balanced wildlife gallery and the considerable effort that has been put into modernising the Wainwright Gallery.
In a report, the assessor said of the museum: “The Wildlife Gallery succeeds in presenting specimens from five continents in an imaginative and lively fashion that can be readily grasped by children”.
Learning facilities for children were also praised along with ‘excellent’ reading books being available.
The Wainwright Gallery was also commended for its cabinets and the assessor said that the staff ‘engaged well and were very knowledgeable’.
The assessor summed up his judgement and reported: “There is a wealth of excellent material in the museum – with the Wildlife Gallery and the Wainwright exhibits showing what can be achieved. The possibilities for mutually beneficial exchanges of skills with college courses and museum qualifications seem exciting. There is huge potential scope for the Museum.”